Lawrence Person's BattleSwarm Blog

You're either the World's Biggest idiot or the World's Greatest Troll: https://t.co/RVaU9gYYEB #CommunistGenocide

— BattleSwarm (@BattleSwarmBlog) March 7, 2019

Saying "the USSR did not built its economy up through Indigenous genocide, stolen lands, and extensive use of slave labour" is like saying "At least Hitler came to power without antisemitism and violence."

— BattleSwarm (@BattleSwarmBlog) March 7, 2019

Crenshaw might be the congressional GOP’s best answer to AOC, but he decidedly doesn’t want to be seen as a Republican version of the 29-year-old New York Democrat, who is “always trying to embrace radicalism,” he told me during a recent interview in his new office on the fourth floor of the Cannon House Office Building. He wants to take his party in a more traditional—not radical—direction. “We have to make conservatism cool and exciting again,” is how he described his mission in politics when I first met him a year ago. “We have to bring back that Reagan optimism.”

Crenshaw’s combination of traditional conservatism and rising popularity put him in an unusual position in Congress. He describes himself as a “plain old conservative”—he supports free trade, wants to reform Medicare and Social Security, and thinks American troops should stay in Afghanistan (where an IED took one of the veteran’s eyes) as long as they’re needed to prevent another 9/11. That puts him at odds with Trump, whom Crenshaw has been unafraid to criticize, going so far as to call his rhetoric “insane” and “hateful” during the 2016 presidential campaign. But Crenshaw is more “Sometimes Trump” than “Never Trump.” He is not pushing for a 2020 Republican primary challenge and is not trying to write off Trump’s wing of the party—hence, his warm reception at CPAC. In fact, Crenshaw has praised the president for his policies on immigration, even recently voting in support of Trump’s declaration of a national emergency to build a border wall, a move many conservatives opposed.

Ignore the “dares to take on Trump” angle of the article. Crenshaw’s biggest advantage is a temperament almost completely opposite from Trump’s, which voters may look for in 2024.

Two years ago, Wonder Woman proved a female-led superhero movie could reach the highest levels of the genre, with Gal Gadot proving robust and redoubtable, yet also charming and feminine. I spent Captain Marvel waiting for Gadot. What I got was Brie Larson: charmless, humorless, a character so without texture that she might as well be made out of aluminum.

Captain Marvel might be the first blockbuster movie whose animating idea is fear. Every page of the script betrays terror of what people might say about the film on social media. Give Carol Danvers a love interest? Eek! No, women can’t be defined by the men in their lives! Make her vulnerable? OMG, no, that’s crazy. Feminine? What century are you from if you think females should be feminine? Toward the end of the movie, when a villain preparing for an epic confrontation with Carol, the fighter pilot turned Superwoman, chides her that she will fail because she can’t control her emotions, there is no tension whatsoever. We’ve just spent two hours watching her be utterly unfazed by anything. Giving Carol actual emotions would, of course, lead to at least 27 people calling the film misogynist on Twitter, and directors Anna Boden and Ryan Fleck are petrified of that.

Just to be completely, unerringly, let’s-bubble-wrap-the-universe safe, Boden and Fleck decided to make Danvers stronger than strong, fiercer than fierce, braver than brave. Larson spends the entire movie being insouciant, kicking butt, delivering her lines in an I-got-this monotone and staring down everything with a Blue Steel gaze of supreme confidence. Superheroes are defined by their limitations — Superman’s Kryptonite, Batman’s mortality — but Captain Marvel is just an invincible bore. The screenplay by Boden, Fleck, and Geneva Robertson-Dworet, with a story by the three of them plus Nicole Perlman and Meg LeFauve, presents us with Brie Larson’s Carol being amazingly strong and resilient at the beginning, middle, and end. This isn’t an arc, it’s a straight line.