Do you think we’ve spent enough time crapping on how horrible Velma is?
Nah.
“That’s all just a framework for jokes that sound like an AI mixed Family Guy with bluecheck Twitter and somehow didn’t kill itself.”
Another reason to slam it: HBO Max has renewed it for a second season, perhaps mistaking hate watching for actual interest…
Velma, if you haven’t heard, is HBO Max’s “re-imagining” of the animated Scooby-Doo TV show. And by “reimagined” I mean “mangled and mutilated to fit the angry, narrow confines of social justice warrior ideology.”
Since I don’t have cable, I can’t go out of my way to watch it for the sake of reviewing it, so let’s let The Critical Drinker take a whack at it:
If that weren’t enough, let’s let Ryan George of Pitch Meeting also take his turn at bat:
The original Scooby-Doo is hardly going to go down in the annals of television as a classic on the order of Hill Street Blues or I Love Lucy, but it was a solid, wholesome kid-vid TV show that made good use of its limited animation budgets to produce solid, fondly remembered shows that the franchise was strong enough to survive decades of tweaks (“with special guest Don Knotts”), soft reboots, a series of unlikely direct to video movies…
…two “meh at best” live action movies, and even inflicting The Vile Abomination on American viewers.
Even apart from the social justice idiocy, throwing away that legacy for derisive belittlement is just wrong. Moreover, these projects never seem to be profitable or even well-received (remember the disasterous Land of the Lost remake with Will Ferrell?). If you don’t treat the source material with a due amount of respect, all you’re doing pissing off generations of people that grew up watching the originals.
This sort of thing is natural meat for The Critical Drinker, who delights in tearing into Social Justice crap. But the pointed Pitch Meeting takedown seems far more significant, as George has never been one to wade in culture war commentary.
Velma seems to be the show that everyone hates.