Do you think we’ve spent enough time crapping on how horrible Velma is?
Nah.
“That’s all just a framework for jokes that sound like an AI mixed Family Guy with bluecheck Twitter and somehow didn’t kill itself.”
Another reason to slam it: HBO Max has renewed it for a second season, perhaps mistaking hate watching for actual interest…
Like just about every blogger, I have some half-finished drafts of posts I never finished, many of which I still have Firefox tabs open for. Every now and then I have a hankering to bear down and finish one of them, if only to close a few tabs. So let’s have a poll!
[ays_poll id=5]
Let me know what you’re interested in and I’ll make an effort to finish that one. Just don’t expect it immediately…
Velma, if you haven’t heard, is HBO Max’s “re-imagining” of the animated Scooby-Doo TV show. And by “reimagined” I mean “mangled and mutilated to fit the angry, narrow confines of social justice warrior ideology.”
Since I don’t have cable, I can’t go out of my way to watch it for the sake of reviewing it, so let’s let The Critical Drinker take a whack at it:
If that weren’t enough, let’s let Ryan George of Pitch Meeting also take his turn at bat:
The original Scooby-Doo is hardly going to go down in the annals of television as a classic on the order of Hill Street Blues or I Love Lucy, but it was a solid, wholesome kid-vid TV show that made good use of its limited animation budgets to produce solid, fondly remembered shows that the franchise was strong enough to survive decades of tweaks (“with special guest Don Knotts”), soft reboots, a series of unlikely direct to video movies…
…two “meh at best” live action movies, and even inflicting The Vile Abomination on American viewers.
Even apart from the social justice idiocy, throwing away that legacy for derisive belittlement is just wrong. Moreover, these projects never seem to be profitable or even well-received (remember the disasterous Land of the Lost remake with Will Ferrell?). If you don’t treat the source material with a due amount of respect, all you’re doing pissing off generations of people that grew up watching the originals.
This sort of thing is natural meat for The Critical Drinker, who delights in tearing into Social Justice crap. But the pointed Pitch Meeting takedown seems far more significant, as George has never been one to wade in culture war commentary.
Velma seems to be the show that everyone hates.
More Flu Manchu madness, DeSantis continues to drive the woke before him, and a guinea pig mystery. Plus: Monorail! It’s the Friday LinkSwarm!
The true character and scope of the harm caused by the unprecedented mass vaccinations for COVID-19 is just now beginning to become clear. Leading scientific journals have finally begun publishing data corroborating what the underground research community has observed over the last two years, especially in relation to complex problems of immune suppression.
Truly concerning numbers pertaining to both births and mortality are also emerging.
At this moment in time, a new, allegedly super-infectious Omicron variant is all over the headlines. A sub-variant of XXB, this strain is said to possess immune escape capabilities of precisely the type that some independent researchers predicted would follow on the heels of the mass vaccinations’ narrow antigenic fixation.
The WHO maintains that worldwide, 10,000 people still die due to Covid every single day, an implausible death toll more than ten times that of an average flu. It reiterates the urgent need for vaccinations, especially in light of China’s reopening and allegedly falsified data on mortality and infections.
The EU has even called an emergency summit in light of the purported Chinese “Covid chaos” that “calls to mind how everything began in Wuhan, three years ago”.
In Sweden, the Minister for Health and Social Affairs has said he cannot rule out new restrictions, and states that everyone must take “their three doses”, since “only” 85% of the population is ‘fully inoculated’.
That such an extensive vaccine coverage has not yielded better results after nearly two years is a remarkable fact. Even more so in light of some individuals receiving four or more repeated exposures to the same vaccine antigen, yet still contracting the disease they are supposedly immunised against.
At the same time, even more ominous warning signs abound.
One such warning sign is the fact that average mortality in many Western states is still at a remarkably high level, in spite of the direct effects of the coronavirus being marginal for more than a year. Data from EuroMOMO indicate a marked excess mortality in the EU for all of 2022, and the German Bureau of Statistics reports that the country’s mortality in October was more than 19% over the median value of the preceding years.
Is this due to Covid, as the WHO’s ’10 000 per day’ figure would seem to indicate?
Blame is placed at the feet of ‘Long Covid‘ as well as the regular acute infections, but according to the EuroMOMO and Our World in Data stats, the bulk of the excess deaths in Europe during 2022 are actually not due to clinically manifest coronavirus infections.
Moreover, we shouldn’t see continued excess deaths from a respiratory virus of this kind after three years of global exposure due to the inevitable consolidation of natural immunity.
If such a situation persists, the hypothetical connection to a vaccine-related immunity suppression that just now has come into focus becomes pertinent to investigate in detail.
If, as has been argued, the vaccinations, and especially the boosters, alter the immune profile of recipients such that Covid infections get ‘tolerated’ by the immune system, it’s possible that vaccinated individuals will tend towards a situation of long-term, repeat infections that do not get cleared, and do not present with obvious symptoms, while still promoting systemic damage.
The literature now indicates an extensive substitution in the vaccinated of virus-neutralising antibodies for non-inflammatory ones, a ‘class switch’ from antibodies that work towards clearing the virus from our system, to a category of antibodies whose purpose is to desensitise us to irritants and allergens.
The net effect is that the inflammatory response to Covid infection gets down-regulated (reduced). This means that full-blown infections will present with milder symptoms, and that they won’t get cleared as effectively (partly since fever and inflammation are essential to your body getting rid of a pathogen).
That these developments alone aren’t cause for an immediate halt to the mass vaccinations, as well as thorough investigations, is astonishing.
There is of course another, and more well-known, potential partial explanation of the surprising excess mortality. We have indications of clotting disorders connected to the Covid vaccines, evident in a new major Nordic study, while repeated studies evidence a clear correlation between heart disease and Covid vaccination (see Le Vu et al., Karlstad et al. and Patone et al.).
A newly published Thai study moreover indicated that almost a third of the vaccinated youth enrolled exhibited cardiovascular manifestations, and a yet unpublished Swiss study suggests that as many as 3% of everyone vaccinated manifest heart muscle damage.
(Hat tip: Ann Althouse.)
Why the water bill is so high..😅 pic.twitter.com/v1kQ0eg4vA
— 𝕐o̴g̴ (@Yoda4ever) December 31, 2022
(Hat tip: Ace of Spades HQ)
I use Firefox as my browser, and the latest version (108.0.1 (64-bit) for MacOS) has managed to screw up the windows list system. (I use windows for individual web pages when hooked up to my large monitor, but tabs when I’m using my MacBook Pro by itself.) Firefox has managed to screw up two different things with this release:
Maybe some people asked for the ability to alphabetize windows in the list, but I doubt anyone wanted that as an unchangeable default, and I’m pretty sure no one asked for the inconsistent listing.
If anyone know how to revert this behavior to the previous default settings, let me know…
Greetings, and welcome to the last LinkSwarm of 2022! Short this time because of a whirlwind of pre-New Year’s Eve cleaning.
Sure, there was a very bad storm. But any frequent flyer knows that airlines love to trot out the liability-shielding word “weather” when a more honest reason for a delay is a chronic staff shortage, as was clearly the case in Denver for Southwest; no backup plans; or, in this instance, problems with an archaic, off-the-shelf phone and crew-scheduling system that buckled under pressure even as every other airline quickly got back to normal.
Evidence mounted that Southwest, apparently still stuck in the 1990s, had ignored numerous calls to upgrade its technological support system even after it knew the danger of a meltdown. Rather, it focused on restoring its stock dividend and, reportedly, installing a pickleball court at its headquarters.
As with many businesses in crises, Southwest and its top executives were slow to heed the scale of the problem coming over the net this week: Airline delays on this scale aren’t just about missing family gatherings, although that is bad enough, or sitting on the floor for hours. They can be matters of life and death.
I also read somewhere that the top people at Southwest have finance backgrounds, not airline operations backgrounds.
Henry Cavill is like many leading men. He’s handsome and talented, and anything he appears in automatically attracts viewers. However, unlike most leading men, his fanbase consists of both typical and atypical elements for someone like him. While he does have the love of moviegoers, women, and the respect of many a man, he also has a massive following in the nerd and geek communities.
This is because Cavill is, himself, a rabid geek and an unabashed one at that.
It’s this geeky quality that led Cavill to pursue various roles that should have made studios a lot of money. All they had to do was listen to Cavill. However, that’s not what they did. They ignored him, and now things are crumbling around them.
Netflix’s “The Witcher,” in particular, is one lesson that studios could learn a hard lesson from because it represents studios ignoring the geeks on a singular level. Cavill is a man who pushed for Netflix to take on “The Witcher” and he even succeeded in landing the role as the series protagonist “Geralt of Rivia.”
The Witcher is a well-known property. It started as a successful book series that was adapted to successful games. Cavill was a no-brainer for the role of Geralt, not just because he looked and acted the part flawlessly, but because he was a massive fan of both the games and the source material.
Cavill was more excited than anyone that this series was being made and said he’d stick it out with the show for seasons on end and would only depart if they didn’t respect the source material and change the show for their own purposes.
And true to form, Netflix hired showrunners that did exactly what Cavill warned again. Believable rumors began circulating that Cavill was unhappy with the show. It later came out that Cavill was oftentimes fighting to maintain various elements of the story. It was also revealed that the showrunners would laugh at, or show disdain for, the source material that Cavill loved so much. Soon enough, he announced he was exiting the role as Geralt and handing it to Liam Hemsworth. I can only imagine the heartbreak Cavill suffered over this, but it was the right move…according to both his fans and fans of “The Witcher.”
Cavill is one of the few actors who he and his fans can say truly understand each other. He’s one of them and it shows.
(Hat tip: Stephen Green at Instapundit.)