A leftwing female reporter for The Independent is shocked, shocked that director Terry Gilliam (of Monty Python and Brazil fame) makes fun of Social Justice Warriors:
“In the age of #MeToo, here’s a girl who takes responsibility for her state,” says Gilliam. “Whatever happened in this character’s life, she’s not accusing anybody. We’re living in a time where there’s always somebody responsible for your failures, and I don’t like this. I want people to take responsibility and not just constantly point a finger at somebody else, saying, ‘You’ve ruined my life.’”
The day we meet, Hollywood mogul Harvey Weinstein – who’s been accused by dozens of women of rape, assault and sexual harassment, allegations that kickstarted the entire #MeToo movement – broke his silence, to lament the fact that his work “has been forgotten”, and to boast that he is a “pioneer” of female-led films. Isn’t it a bigger problem that men are refusing to take responsibility for abusing women, and abusing their power? “No. When you have power, you don’t take responsibility for abusing others. You enjoy the power. That’s the way it works in reality.”
And then that phrase comes up. Witch hunt. “Yeah, I said #MeToo is a witch hunt,” he says. There’s a silence. “I really feel there were a lot of people, decent people, or mildly irritating people, who were getting hammered. That’s wrong. I don’t like mob mentality. These were ambitious adults.”
“There are many victims in Harvey’s life,” he adds, “and I feel sympathy for them, but then, Hollywood is full of very ambitious people who are adults and they make choices. We all make choices, and I could tell you who did make the choice and who didn’t. I hate Harvey. I had to work with him and I know the abuse, but I don’t want people saying that all men… Because on [the 1991 film] Fisher King, two producers were women. One was a really good producer, and the other was a neurotic bitch. It wasn’t about their sex. It was about the position of power and how people use it.”
Suggesting that women are not helpless victims, and might have moral agency of their own, is pretty close to heresy in feminist circles these days.
Gilliam mentions a famous actor he was speaking to recently. “She has got her story of being in the room and talking her way out. She says, ‘I can tell you all the girls who didn’t, and I know who they are and I know the bumps in their careers.’ The point is, you make choices. I can tell you about a very well-known actress coming up to me and saying, ‘What do I have to do to get in your film, Terry?’ I don’t understand why people behave as if this hasn’t been going on as long as there’ve been powerful people. I understand that men have had more power longer, but I’m tired, as a white male, of being blamed for everything that is wrong with the world.” He holds up his hands. “I didn’t do it!”
It is deeply frustrating to argue with Gilliam. He is both the devil and his advocate. I try to say that it’s not that white men are to blame for everything, but that they are born with certain privileges that, too often, they exploit. He interrupts.
“It’s been so simplified is what I don’t like. When I announce that I’m a black lesbian in transition, people take offence at that. Why?”
Because you’re not.
“Why am I not? How are you saying that I’m not?”
Are you?
“You’ve judged me and decided that I was making a joke.”
You can’t identify as black, though.
“OK, here it is. Go on Google. Type in the name Gilliam. Watch what comes up.”
What’s going to come up?
“The majority are black people. So maybe I’m half black. I just don’t look it.”
But earlier, he described himself as a white male.
“I don’t like the term black or white. I’m now referring to myself as a melanin-light male. I can’t stand the simplistic, tribalistic behaviour that we’re going through at the moment.” He smiles. “I’m getting myself in deeper water, so I have to trust you.” I’m not sure what he’s trusting me to do.
Maybe to think and take a joke rather than sic the kneejerk SJW cancel culture brigades on him? Obviously his trust was misplaced.
I’m talking about being a man accused of all the wrong in the world because I’m white-skinned. So I better not be a man. I better not be white. OK, since I don’t find men sexually attractive, I’ve got to be a lesbian. What else can I be? I like girls. These are just logical steps.” They don’t seem logical. “I’m just trying to make you start thinking. You see, this is the world I grew up in, and with Python, we could do this stuff, and we weren’t offending people. We were giving people a lot of laughter.”
If a man can magically “transition” to a woman just by declaring he’s a woman, why can’t Gilliam become a black lesbian by the same process? The fact that neither can, and that SJW sorts can’t admit this obvious truth due to how sacred “trans” has become to their intersectional ideology matrix, is what makes the joke funny.
The writer complains: “Python was silly and whimsical, its more pointed satirical moments punching up, not down.” But as Social Justice Warriors have abrogated to themselves the roles of cultural gatekeepers, attacking social justice absurdity is punching up.
Remember how Christian fundamentalists destroyed Gilliam’s career over Life of Brian? Me neither. Given how they openly espouse destroying people’s careers over refusing to toe the Social Justice Warrior line on race, sex, etc., today’s SJW woke scolds are obviously far more intolerant of opposing views than the Moral Majority ever was.
And I’ll take Monty Python and Brazil over every artistic work every Social Justice Warrior ever created.
